"A reader lives a thousand lives before he dies. A man who never reads lives only once." Jojen - A Dance With Dragons
Sunday, September 6, 2020
Thursday, September 3, 2020
Saturday, August 22, 2020
Sunday, August 16, 2020
Finished: The God of Small Things (Roy) Beautifully written and equally tragic story of a divorced mother in India, Ammu, whose actions, and those of her seven year old twins, inadvertently lead to the tragedy that befalls them all, and in particular, the "untouchable" man, the man beneath their station, who they all love, Velutha. Orchestrated behind the scenes by Ammu's malevolent aunt, Baby Kochamma, with the telling of lies and emotional blackmail on the innocent children, the tragedy unfolds due to Baby Kochamma's hatred of Ammu for coming back home to the family after the shame of divorcing, as well as to protect herself after she lies to the police, telling them that Velutha has raped Ammu and kidnapped the children. The story goes back and forth between current times, when the twins, Estha and Rahel are now in their twenties, and completely emotionally damaged, and when they are seven and living the lives of privileged children in India whose family owns a pickle factory. Arundhati Roy's prose takes the reader into every situation and location she describes in amazing detail. Here's just a sample of her writing when the twenty-something Rahel has gone back to her hometown in India in hopes of getting through to her beloved brother, Estha, and stops in the square to listen to an old story-teller, the Kathakali Man:
It didn't matter that the story had begun, because kathakali discovered long ago that the secret of the Great Stories is that they HAVE no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end, yet you listen as though you don't. In the way that although you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again.
Lovely, lovely writing. Tragic, sympathetic characters. Manipulative, hateful antagonist (who will join my list of Least Liked Characters!) A story that unfolds in the eyes of Esta and Rahel, and from the emotions of Ammu, Velutha and Baby Kochamma. There are other integral, fleshed-out characters, but for me the heart of the story is with Ammu & her children.
Sunday, July 26, 2020
Saturday, July 11, 2020
Wednesday, July 8, 2020
"The only way to undo racism is to consistently identify and describe it--and then dismantle it." "The common idea of claiming "color blindness" is akin to the notion of being "not racist"--as with the "not racist", the color-blind individual, by ostensibly failing to see race, fails to see racism and falls into racist passivity."
This really struck a cord with me personally. Those words, plus what is going on in the world today, have made me much more aware that I need to be proactively antiracist. I don't want to be racially passive. Kendi's own personal journey from being racist himself towards his own black people, thinking he, as an educated, middle-class black man was above the poorer, uneducated black man, was very powerful. Towards the end of the book, Kendi and his future wife, Sadiqa, experienced a situation in a restaurant where an obnoxious, drunk white man climbed up onto a stage and started fondling a statue of Buddha to the laughter of his table-mates. Kendi says:
"I had learned a long time ago to tune out the antics of drunk White people doing things that could get a Black person arrested. Harmless White fun is Black lawlessness."
I hope this statement can be overcome in the future, but, sadly, I fear our country has a long way to go to make this happen.