Finished: Ransom (Garwood) A fast-paced tale of a Englishwoman during King John's time who travels to the Highlands of Scotland to search for a lost jewel box that she can return to her beloved uncle's captor, who ravaged her home when she was only 5 years old, killed her father, and separated her from her sister. A historical novel that is more romance novel than historical, but it was very entertaining. Full of intrigue, with two main "couples" who fall in love, but of course, are first always at stubborn odds with each other. It reminds me just a bit of Outlander, but not written in as much depth. Still, it has the gruff, warrior highlanders, who despite their intimidating appearances are loyal to women they fall for. Thank you to my dear friend Leslie for giving me this fun book for my birthday! :-)

 Finished: The God of Small Things (Roy) Beautifully written and equally tragic story of a divorced mother in India, Ammu, whose actions, and those of her seven year old twins, inadvertently lead to the tragedy that befalls them all, and in particular, the "untouchable" man, the man beneath their station, who they all love, Velutha. Orchestrated behind the scenes by Ammu's malevolent aunt, Baby Kochamma, with the telling of lies and emotional blackmail on the innocent children, the tragedy unfolds due to Baby Kochamma's hatred of Ammu for coming back home to the family after the shame of divorcing, as well as to protect herself after she lies to the police, telling them that Velutha has raped Ammu and kidnapped the children. The story goes back and forth between current times, when the twins, Estha and Rahel are now in their twenties, and completely emotionally damaged, and when they are seven and living the lives of privileged children in India whose family owns a pickle factory. Arundhati Roy's prose takes the reader into every situation and location she describes in amazing detail. Here's just a sample of her writing when the twenty-something Rahel has gone back to her hometown in India in hopes of getting through to her beloved brother, Estha, and stops in the square to listen to an old story-teller, the Kathakali Man: 

It didn't matter that the story had begun, because kathakali discovered long ago that the secret of the Great Stories is that they HAVE no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end, yet you listen as though you don't. In the way that although you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again. 

 Lovely, lovely writing. Tragic, sympathetic characters. Manipulative, hateful antagonist (who will join my list of Least Liked Characters!) A story that unfolds in the eyes of Esta and Rahel, and from the emotions of Ammu, Velutha and Baby Kochamma. There are other integral, fleshed-out characters, but for me the heart of the story is with Ammu & her children.