Finished: Anxious People (Backman) A very moving book by an author I really like, who wrote both Beartown and A Man Called Ove. In this story, a group of people who are viewing an apartment for sale, a first time bankrobber, at risk of losing a custody battle, who only wants to steal enough money for one month's rent, and a father and son police officer team of the small town they all live in, are strangers who all come together in the most unlikely and poignant of ways. When the bankrobber realizes the bank to be robbed is a cashless bank with no money, the police are alerted and the bankrobber dashes across the street and barges in on the apartment viewing, gun in hand. I really came to love each of these imperfect characters, including the bankrobber, as they went through this ordeal together, opening up to each other about life, marriage, worries and hopes. So many of the characters connected in ways we didn't know when we started the story. At the center of a couple of the character's stories was the bridge that could be seen from the apartment balcony where ten years before, a man who'd lost all his money in the real estate market crash, unable to provide for his family or keep his home, took his own life by jumping off the bridge....AFTER begging a steel-hearted bank manager for a loan and being turned down. That bank manager carried a letter from the man in her purse for ten years, feeling responsible for his death. Of course, she is one of the people looking at the apartment! I love the way all the characters are tied together either in the past, or in the future, as they develop unbreakable bonds. Great story! :-)
"A reader lives a thousand lives before he dies. A man who never reads lives only once." Jojen - A Dance With Dragons
Tuesday, September 29, 2020
Wednesday, September 16, 2020
Finished: Here Is The Beehive (Crossan) Beautifully written book with stunning, unique prose and a gut-wrenching story that makes the book very hard to put down. Married mother of two and attorney, Ana, meets married father of three, Connor, when he walks into her office for some legal work. They begin a three year love affair that sends Ana spiraling, always wondering if Connor will leave his wife for her, while she slowly destroys her own marriage and puts her own desires ahead of her two very young children. We are meant to have compassion for Ana, I believe, but I simply cannot muster up feelings for a character who is so thoughtlessly ruining her family. And, there is absolutely nothing wrong with or unlikable about either of the spouses, Rebecca and Paul. As the story begins, Ana finds out that one of her clients has died in an accident and she needs to call the bereaved wife. Of course, that client is Connor and Ana is devastated. The rest of the story deals with Ana and her pain and her memories, her conversations with Connor, and her present, where she actually goes to meet Rebecca to attend to legal duties, but really to see what Connor's life was like and see if there is any hint of her there in his office. I can't imagine myself ever cheering for a character who so selfishly destroys his or her family, and that's ok. I will say that this is a beautifully written book, though, and Ana is an extremely raw character!
Monday, September 14, 2020
Finished: The Nickel Boys (Whitehead) As tragic as it is compelling, The Nickel Boys, set in Florida in the 1960's, tells the story of the horrific reform "school" for boys known as Nickel. Based on the real life Dozier School for Boys in Florida, the atrocities that happened at the school to, primarily, the African American boys ranged from beatings, to starvation, to rape, to torture, and even to death. The story follows Elwood Curtis, an outstanding high school student who is excited about starting college classes a couple of times a week. He makes the mistake of hitchhiking to the college early on start day to get the lay of the land, and the man he catches a ride from has just stolen the car he's driving. I don't know if it's sadder that Elwood got sent to Nickel for something he didn't do, or that he and his grandmother were helpless to put up any kind of legal fight for him. The horror of both the real life Dozier school and the fictional Nickel were uncovered over 40 years later when excavation teams uncovered a field full of unmarked graves. In The Nickel Boys, Elwood befriends a couple of other boys, and one boy, Turner, tries to teach him how to keep his head down and just do what he's told to eventually work his way out of his sentence. One of the two boys survives and goes on to tell what went on at Nickel. My heart just ached reading about the horrible treatment of these boys...some as young as five years old. I feel like this was a timely read with what's going on in the United States right now and I sadly feel as if there are some misguided, evil people who would still gladly send away young black men for no good reason.
Sunday, September 6, 2020
Thursday, September 3, 2020
Saturday, August 22, 2020
Sunday, August 16, 2020
Finished: The God of Small Things (Roy) Beautifully written and equally tragic story of a divorced mother in India, Ammu, whose actions, and those of her seven year old twins, inadvertently lead to the tragedy that befalls them all, and in particular, the "untouchable" man, the man beneath their station, who they all love, Velutha. Orchestrated behind the scenes by Ammu's malevolent aunt, Baby Kochamma, with the telling of lies and emotional blackmail on the innocent children, the tragedy unfolds due to Baby Kochamma's hatred of Ammu for coming back home to the family after the shame of divorcing, as well as to protect herself after she lies to the police, telling them that Velutha has raped Ammu and kidnapped the children. The story goes back and forth between current times, when the twins, Estha and Rahel are now in their twenties, and completely emotionally damaged, and when they are seven and living the lives of privileged children in India whose family owns a pickle factory. Arundhati Roy's prose takes the reader into every situation and location she describes in amazing detail. Here's just a sample of her writing when the twenty-something Rahel has gone back to her hometown in India in hopes of getting through to her beloved brother, Estha, and stops in the square to listen to an old story-teller, the Kathakali Man:
It didn't matter that the story had begun, because kathakali discovered long ago that the secret of the Great Stories is that they HAVE no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end, yet you listen as though you don't. In the way that although you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again.
Lovely, lovely writing. Tragic, sympathetic characters. Manipulative, hateful antagonist (who will join my list of Least Liked Characters!) A story that unfolds in the eyes of Esta and Rahel, and from the emotions of Ammu, Velutha and Baby Kochamma. There are other integral, fleshed-out characters, but for me the heart of the story is with Ammu & her children.
Sunday, July 26, 2020
Saturday, July 11, 2020
Wednesday, July 8, 2020
"The only way to undo racism is to consistently identify and describe it--and then dismantle it." "The common idea of claiming "color blindness" is akin to the notion of being "not racist"--as with the "not racist", the color-blind individual, by ostensibly failing to see race, fails to see racism and falls into racist passivity."
This really struck a cord with me personally. Those words, plus what is going on in the world today, have made me much more aware that I need to be proactively antiracist. I don't want to be racially passive. Kendi's own personal journey from being racist himself towards his own black people, thinking he, as an educated, middle-class black man was above the poorer, uneducated black man, was very powerful. Towards the end of the book, Kendi and his future wife, Sadiqa, experienced a situation in a restaurant where an obnoxious, drunk white man climbed up onto a stage and started fondling a statue of Buddha to the laughter of his table-mates. Kendi says:
"I had learned a long time ago to tune out the antics of drunk White people doing things that could get a Black person arrested. Harmless White fun is Black lawlessness."
I hope this statement can be overcome in the future, but, sadly, I fear our country has a long way to go to make this happen.